Every film we have made, on one page.

21 films. The fifteen-second film in every framing it was cut in, the opening film, the four shorts, the five Dzong Atlas scenes and the six campaign cuts. Each one is its own film with its own poster: where a phone is served a lighter file it is the same frame at a smaller size, not a second film.

The fifteen-second film

One take, five encodings: the landscape master, the lighter cut a phone is served, and three vertical framings.

A shopkeeper in the doorway of a Bhutanese grocery, looking up from her phone

Fifteen seconds in a Thimphu grocery

The film the Why page plays. Posting a listing takes about this long.

A vertical cut of the fifteen-second film, a shopkeeper in a Bhutanese grocery

The same fifteen seconds, vertical

The 9:16 cut, framed for a phone held upright.

The shopkeeper held in frame, a vertical cut of the fifteen-second film

The vertical cut, subject-led

Framed on the person rather than the shopfront, for a feed that crops tighter.

A recropped vertical cut of the fifteen-second film inside a Bhutanese shop

The vertical cut, recropped

The same take, cropped for a narrower canvas without the subject walking out of frame.

The opening film

The film on the front door, in both frames.

The home page film, a landscape view of Bhutan

The front door film

The landscape film that opens the home page.

The home page film, an upright view of Bhutan

The front door film, vertical

The 9:16 edit of the opening film.

Shorts

The four vertical shorts. They also run in the Watch feed, wired to what they show.

A Bhutanese cook working at a wood-fired stove

Ema datshi, the way my aama taught me

Chillies, local cheese and a wood-fired stove.

A weaver at a loom, raw silk running through the warp

Six weeks on the loom for one kira

Raw silk through the warp, panel by panel.

The Tiger's Nest monastery on its cliff at dawn

Dawn at Taktsang, before the mist lifted

Four hours up to the monastery on the cliff.

Masked dancers in a dzong courtyard during a tsechu

Tsechu morning in Bumthang

Masked dancers, brocade and drums in the dzong courtyard.

Dzong Atlas

The five scenes of the atlas walk-through, each with a lighter cut for a phone.

Dzong Atlas scene 1

Dzong Atlas, scene 1

A room in the atlas walk-through.

Dzong Atlas scene 2

Dzong Atlas, scene 2

A room in the atlas walk-through.

Dzong Atlas scene 3

Dzong Atlas, scene 3

A room in the atlas walk-through.

Dzong Atlas scene 4

Dzong Atlas, scene 4

A room in the atlas walk-through.

Dzong Atlas scene 5

Dzong Atlas, scene 5

A room in the atlas walk-through.

Campaign films

The twenty-second cuts made for the social channels, kept here so none is stranded.

Jobs are free

Jobs are free

Posting a job costs nothing, and so does applying.

How payment works

How payment works

Buyer and seller settle directly between themselves.

What you can sell

What you can sell

Twelve kinds of marketplace inside one app.

Diaspora buys from home

Diaspora buys from home

Buy from your Dzongkhag from anywhere in the world.

Stays and rooms

Stays and rooms

List a spare room or a homestay and let travellers find you.

Promoted listings

Promoted listings

Hold your item at the top of the market where buyers look.

The clips the community posts.

Shorts posted by cooks, weavers, guides and businesses run in the Watch feed, each wired to something you can buy, book or join.

Open the Watch feed

Films play muted, inline and only while they are on screen. A poster frame is shown until then and holds the space, so the page never shifts.